Martin Amis

Nothing compares with the fluidity of longhand. You shift things around without shifting them around — in that you merely indicate a possibility while your original thought is still there. The trouble with a computer is that what you come out with has no memory, no provenance, no history — the little cursor, or whatever it’s called, that wobbles around the middle of the screen falsely gives you the impression that you’re thinking. Even when you’re not.

via The Writer's Almanac